" typical way in which a poem by Dickinson is structured is by the use of the "omitted center." This means that an initial statement is followed by an apparent lack in development and continuity and the inclusion of strange and seemingly alien ideas. However, these often contradictory ideas and images work towards a sense of wholeness and integrity which is essentially open-ended in terms of its meaning. "Often the

(Jones, p. 49). These confessional poems are often "searing in their self-inquiry" and "harrowing to the reader" and typically take their metaphors from texts and paintings of Dickinson's day. Some scholars posit that the "Master" is an unattainable composite figure, "human, with specific characteristics, but godlike." (Jones, p. 49). Recent scholars have posited that Dickinson saw the mind and spirit as tangible, places and that for much of her life

The poet is in turmoil and he turns from his love in order to prevent tarnishing or "spoil" (Pound 2) her because she is surrounded by a "new lightness" (3). This poem reflects upon the importance of experience. Like the poets mentioned before, this poet wants us to consider every aspect of our actions. We should not only think of what we want to do but also how that

Death in Thomas and Dickinson In many ways, Dylan Thomas' "Do not go gentle into that good night" and Emily Dickinson's "Because I could not stop for death" are ideal texts to consider when attempting to examine human beings anxieties regarding death, dying, and the longing for permanence, because they make vastly different points in strikingly similar ways. That is to say, while they share some elements of form, style, and

Edgar Allen Poe, Washington Irving, Ralph Waldo Emerson, Emily Dickinson, Mark Twain, Henry David Thoreau, Nathaniel Hawthorne, Harriet Beecher Stowe, James Fennimore Cooper, Mary Rowlandson, Walt Whitman) describe writing style, a discussion literary work. Edgar Allan Poe: Poe's amoral universe The American poet and short story author Edgar Allan Poe is one of the most famous mystery and horror writers of the 19th century. Contrary to many of his contemporaries, Poe

Jean Rhys "Good Night, Midnight" The explanation for the title of the book, exposed as a poem by Emily Dickinson, sets the tone for the work. It is assumed from the words that a woman is coming home after a night out with a suitor and she was, for some reason, rejected. Thus, since the "day" would not have her she is happy to say good morning to the midnight that